Think Suspense – Think Hitchcock
July 29th, 2010A figure creeps out of the shadows. Chains rattle in a vacant attic. A man carrying a dagger outside in a storm charges toward a window. Nearby, a car teeters on the edge of a cliff. We’re on the edge of our seats, holding our breaths. And the person who put us there most often — Alfred Hitchcock.
Known as the master of suspense, he was born on August 13, 1899, and lost his father at the age of fourteen. By then, according to the Wikipedia, his father had sent him numerous times to the police station with a note asking the officer to lock him away for ten minutes to punish him for behaving badly. His mother often asked him to address her from the foot of her bed, forcing him to stand there for hours. These experiences were used by Hitchcock later in the character of Norman Bates in his movie, “Psycho.” While “Psycho” and “The Birds” fall into the category of horror films, Hitchcock’s main objective was to create suspense. In a film directed by him the audience becomes anxious when they expect something bad to happen. While they either know or think they know about the impending disaster, they are powerless to do anything about it.
Also according to Wikipedia, in 1935, Hitchcock popularized the “MacGuffin” device when he used it in his movie, “The 39 Steps.” It’s an element to grab the attention of the audience in movies or to drive the plot in books. While the “MacGuffin” may be ambiguous, open to interpretation or generic, it’s something the characters want, such as money, victory or power. While it’s important in the beginning of the story as the characters’ struggles and motivations are revealed, it loses its relevance as the story progresses. Even though it usually comes into play again at the climax, it could be completely forgotten by the end of the movie or book. In a lecture at Columbia University in 1939, Hitchcock said, “In crook stories it is almost always the necklace and in spy stories it is most always the papers.”
Some quotes from Alfred Hitchcock included in “Alfred Hitchcock Wit & Wisdom” are as follows:
On why people were fond of his thrillers:
“They like to put their toe in the cold water of fear.”
On the relationship with his audiences:
“Always make the audience suffer as much as possible.”
On his movies and his method:
“We try to tell a good story and develop a hefty plot. Themes emerge as we go along.”
“Drama is life with the dull bits left out.”
On violence:
“There is no terror in the bang, only in the anticipation of it.”
In case anyone’s ever wondered why the actions of the birds never were explained in the movie by the same name, novelist Evan Hunter, whose pseudonym is Ed McBain, tells us. In “Writing for Hitchcock: An Interview with Ed McBain” by Charles L. P. Silet Hunter (McBain) explains that he worked on the script with Hitchcock. “We made, if you’ll forgive the expression, an “artistic” decision early on that we were never going to explain the bird attacks, never. Otherwise the film would become science fiction and we didn’t want to do that,” he says.
On working with Hitchcock, Hunter says, “He was like the father anyone wished he would have. He was intelligent, he was world-traveled. He knew everybody, he was famous, he was a star in his own right.” Alfred Hitchcock died in 1980. Twenty-seven years after his death, in a poll of film critics in Britain’s Daily Telegraph newspaper, he came in first in film name recognition.
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Since he was known to like the combination of romance and suspense, I can’t help but wonder what he would have done with my Christian romance with a bit of suspense. In Love Turns the Tide Cammie O’Shea faces a traumatic split-up with her fiancé and has to leave her friends and family to take a job in Destin, Florida. Heartbroken and alone, she needs God more now than she ever has. But for some reason she can’t explain she feels more estranged from him. A feature writer, she dreads meeting her boss, the editor of The Sun Dial, a new newspaper. But, her real source of angst turns out to be Vic Deleona, the influential real estate tycoon she must write about to generate interest in the paper. While she refuses to open herself to another painful relationship he attempts to court her. Trying to get over her heartache, she reads her Bible and says prayers. One day she reads Romans 8:28, “And we know that in all things God works for the good of those who love him…” Afterward she ponders how living in Destin possibly could be good for her. Then, break-ins occur at her friend’s condo and her unit, making her doubt the wisdom of living in Destin even more. But Vic comes to their rescue. He even launches his own investigation into the crimes, and Cammie sees a different side of him. Then she gets an offer to return home to her old job. Will Vic solve the crimes and win her heart or will she leave Destin?
In Love Turns the Tide I imagine Alfred Hitchcock would have created a scary scene on the beach one night when Cammie and Vic walked by the shore. “A man with his head down appeared in the beam of Cammie’s flashlight, his blue shirt caught in the wind. As he trudged closer and closer, he quickened his pace until finally he brushed past them.” Afterward Cammie says, “He seemed to come out of nowhere. He must have been hiding behind a dune.”
Author of Love Turns the Tideavailable at www.awe-struck.net
Web site: http://www.gailpallotta.com
Blog: http://www.gailpallotta.blogspot.com






















